Martin Klimas

Take us a few steps into your process—I assume producing these images requires an extraordinarily controlled environment?

Yes, the shooting environment must be controlled and kept consistent. The lighting is clear and direct, head on. My background is neutral, but bright enough so that the shattering object completely stands out. I drop the figurine from the same height in complete darkness while the lens of the camera is open. When the figurine hits the ground, the sound triggers the lights to go off for a fraction of a second. I do this procedure many times or until I find the one frame that is just right. I keep just one such picture for every figurine. Every attempt yields a unique outcome, so I need to look for the one that best expresses a transformation of the figurine into a new form.

I am in that sense a sculptor, but I have only a 5000th of a second to build my sculpture.

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